I am not able to say, with precision, from what country Hop-Frog originally came. It was from some barbarous region, however, that no person ever heard of—a vast distance from the court of our king. Hop-Frog, and a young girl very little less dwarfish than himself although of exquisite proportions, and a marvellous dancer , had been forcibly carried off from their respective homes in adjoining provinces, and sent as presents to the king, by one of his ever-victorious generals. Under these circumstances, it is not to be wondered at that a close intimacy arose between the two little captives.
Indeed, they soon became sworn friends. Hop-Frog, who, although he made a great deal of sport, was by no means popular, had it not in his power to render Trippetta many services; but she, on account of her grace and exquisite beauty although a dwarf , was universally admired and petted; so she possessed much influence; and never failed to use it, whenever she could, for the benefit of Hop-Frog.
On some grand state occasion—I forgot what—the king determined to have a masquerade, and whenever a masquerade or any thing of that kind, occurred at our court, then the talents, both of Hop-Frog and Trippetta were sure to be called into play. Hop-Frog, in especial, was so inventive in the way of getting up pageants, suggesting novel characters, and arranging costumes, for masked balls, that nothing could be done, it seems, without his assistance. The night appointed for the fete had arrived.
Comparison and Contrast of the Poems For Annie and Annabel Lee Written Essay
The whole court was in a fever of expectation. As for costumes and characters, it might well be supposed that everybody had come to a decision on such points. Many had made up their minds as to what roles they should assume a week, or even a month, in advance; and, in fact, there was not a particle of indecision anywhere—except in the case of the king and his seven minsters.
Why they hesitated I never could tell, unless they did it by way of a joke. More probably, they found it difficult, on account of being so fat, to make up their minds. At all events, time flew; and, as a last resort they sent for Trippetta and Hop-Frog. When the two little friends obeyed the summons of the king they found him sitting at his wine with the seven members of his cabinet council; but the monarch appeared to be in a very ill humor. He knew that Hop-Frog was not fond of wine, for it excited the poor cripple almost to madness; and madness is no comfortable feeling.
We want characters—characters, man—something novel—out of the way. We are wearied with this everlasting sameness. Come, drink! Hop-Frog endeavored, as usual, to get up a jest in reply to these advances from the king; but the effort was too much. Many large, bitter drops fell into the goblet as he took it, humbly, from the hand of the tyrant.
Why, your eyes are shining already! Poor fellow! He placed the goblet nervously on the table, and looked round upon the company with a half—insane stare.
Characters, my fine fellow; we stand in need of characters—all of us—ha! Ah, I perceive.
See a Problem?
You are Sulky, and want more wine. Here, drink this! The dwarf hesitated. The king grew purple with rage. The courtiers smirked. The tyrant regarded her, for some moments, in evident wonder at her audacity. He seemed quite at a loss what to do or say—how most becomingly to express his indignation.
At last, without uttering a syllable, he pushed her violently from him, and threw the contents of the brimming goblet in her face. The poor girl got up the best she could, and, not daring even to sigh, resumed her position at the foot of the table. There was a dead silence for about half a minute, during which the falling of a leaf, or of a feather, might have been heard. It was interrupted by a low, but harsh and protracted grating sound which seemed to come at once from every corner of the room.
Comparison of Edgar Allan Poe's Annabel Lee and The Raven :: compare/contrast compare
Moreover, he avowed his perfect willingness to swallow as much wine as desired. The monarch was pacified; and having drained another bumper with no very perceptible ill effect, Hop-Frog entered at once, and with spirit, into the plans for the masquerade. The resemblance shall be so striking, that the company of masqueraders will take you for real beasts—and of course, they will be as much terrified as astonished. I will make a man of you. You are supposed to have escaped, en masse, from your keepers. Your majesty cannot conceive the effect produced, at a masquerade, by eight chained ourang-outangs, imagined to be real ones by most of the company; and rushing in with savage cries, among the crowd of delicately and gorgeously habited men and women.
The contrast is inimitable!
His mode of equipping the party as ourang-outangs was very simple, but effective enough for his purposes. The animals in question had, at the epoch of my story, very rarely been seen in any part of the civilized world; and as the imitations made by the dwarf were sufficiently beast-like and more than sufficiently hideous, their truthfulness to nature was thus thought to be secured. The king and his ministers were first encased in tight-fitting stockinet shirts and drawers. They were then saturated with tar. At this stage of the process, some one of the party suggested feathers; but the suggestion was at once overruled by the dwarf, who soon convinced the eight, by ocular demonstration, that the hair of such a brute as the ourang-outang was much more efficiently represented by flu.
A thick coating of the latter was accordingly plastered upon the coating of tar. A long chain was now procured. First, it was passed about the waist of the king, and tied, then about another of the party, and also tied; then about all successively, in the same manner. When this chaining arrangement was complete, and the party stood as far apart from each other as possible, they formed a circle; and to make all things appear natural, Hop-Frog passed the residue of the chain in two diameters, at right angles, across the circle, after the fashion adopted, at the present day, by those who capture Chimpanzees, or other large apes, in Borneo.
The grand saloon in which the masquerade was to take place, was a circular room, very lofty, and receiving the light of the sun only through a single window at top. At night the season for which the apartment was especially designed it was illuminated principally by a large chandelier, depending by a chain from the centre of the sky-light, and lowered, or elevated, by means of a counter-balance as usual; but in order not to look unsightly this latter passed outside the cupola and over the roof.
At his suggestion it was that, on this occasion, the chandelier was removed. Its waxen drippings which, in weather so warm, it was quite impossible to prevent would have been seriously detrimental to the rich dresses of the guests, who, on account of the crowded state of the saloon, could not all be expected to keep from out its centre; that is to say, from under the chandelier. Additional sconces were set in various parts of the hall, out of the war, and a flambeau, emitting sweet odor, was placed in the right hand of each of the Caryaides [Caryatides] that stood against the wall—some fifty or sixty altogether.
No sooner had the clock ceased striking, however, than they rushed, or rather rolled in, all together—for the impediments of their chains caused most of the party to fall, and all to stumble as they entered. The excitement among the masqueraders was prodigious, and filled the heart of the king with glee. As had been anticipated, there were not a few of the guests who supposed the ferocious-looking creatures to be beasts of some kind in reality, if not precisely ourang-outangs.
Many of the women swooned with affright; and had not the king taken the precaution to exclude all weapons from the saloon, his party might soon have expiated their frolic in their blood.
While the tumult was at its height, and each masquerader attentive only to his own safety for, in fact, there was much real danger from the pressure of the excited crowd , the chain by which the chandelier ordinarily hung, and which had been drawn up on its removal, might have been seen very gradually to descend, until its hooked extremity came within three feet of the floor. Soon after this, the king and his seven friends having reeled about the hall in all directions, found themselves, at length, in its centre, and, of course, in immediate contact with the chain.
While they were thus situated, the dwarf, who had followed noiselessly at their heels, inciting them to keep up the commotion, took hold of their own chain at the intersection of the two portions which crossed the circle diametrically and at right angles. Here, with the rapidity of thought, he inserted the hook from which the chandelier had been wont to depend; and, in an instant, by some unseen agency, the chandelier-chain was drawn so far upward as to take the hook out of reach, and, as an inevitable consequence, to drag the ourang-outangs together in close connection, and face to face.
The masqueraders, by this time, had recovered, in some measure, from their alarm; and, beginning to regard the whole matter as a well-contrived pleasantry, set up a loud shout of laughter at the predicament of the apes. I fancy I know them. If I can only get a good look at them, I can soon tell who they are. And now, while the whole assembly the apes included were convulsed with laughter, the jester suddenly uttered a shrill whistle; when the chain flew violently up for about thirty feet—dragging with it the dismayed and struggling ourang-outangs, and leaving them suspended in mid-air between the sky-light and the floor.
Hop-Frog, clinging to the chain as it rose, still maintained his relative position in respect to the eight maskers, and still as if nothing were the matter continued to thrust his torch down toward them, as though endeavoring to discover who they were. It was broken by just such a low, harsh, grating sound, as had before attracted the attention of the king and his councillors when the former threw the wine in the face of Trippetta.
But, on the present occasion, there could be no question as to whence the sound issued. It came from the fang—like teeth of the dwarf, who ground them and gnashed them as he foamed at the mouth, and glared, with an expression of maniacal rage, into the upturned countenances of the king and his seven companions. I begin to see who these people are now!
- Comparitve Analysis of 'the Raven' & 'Tell Tale Heart' by Edgar Allan Poe.
- The Raven Edition?
- The Valentine Grinch: Humorous Romantic Womens Fiction (Caught Between).
- Popular Essays.
- Annabel Lee and its comparison to The Raven?
In less than half a minute the whole eight ourang-outangs were blazing fiercely, amid the shrieks of the multitude who gazed at them from below, horror-stricken, and without the power to render them the slightest assistance. At length the flames, suddenly increasing in virulence, forced the jester to climb higher up the chain, to be out of their reach; and, as he made this movement, the crowd again sank, for a brief instant, into silence.